Four minutes and thirty fucking seconds?
Are you fucking kidding me?
This beautiful thing should be at least seven minutes.
Fuck.
THE RAW SHIT
let's go to Pluto the atmosphere's clear...
we'll be really cool there with nothing to fear
let's go to Pluto it's cold and it's damp
where children are heroes death is high camp
I want to see Pluto I want to have fun
I want to turn blue under an alien sun
oh let me see Pluto it seems such a gas
with oceans of methane and petrified grass
let's go to Pluto
lets live on the dot
see the bad moon rising
in a lunacy knot
come on let's do Pluto it's really not far
an unleaded dream drive to the prettiest star
I want to see Pluto but maybe I'll wait
til the world turns to meet its plutonium fate
the days will be long here the years will be more
let's go to Pluto like we did before
let's go to Pluto
let's live on the dot
see the bad moon rising
in a lunacy knot
but there is genius in their hatred...
there is enough genius in their hatred to kill you
to kill anybody
not wanting solitude
not understanding solitude
they will attempt to destroy anything
that differs from their own
not being able to create art
they will not understand art
they will consider their failure as creators
only as a failure of the world
not being able to love fully
they will believe your love incomplete
and then they will hate you
and their hatred will be perfect
Vinyl discs are adversely affected by ultraviolet light and thermal cycling (heat fluctuation). The consequence of thermal cycling is that each cycle of temperature results in a small irreversible deformation, and these deformations are cumulative. Vinyl discs are resistant to fungal growth and are unaffected by high humidity levels.
CDsThe compact disc is a laminate of 4 different materials. The bottom of the disc is made of polycarbonate onto which the pits containing the digitized sound information are stamped. A thin layer of aluminum is then applied, covering the pits. A thin lacquer coating (which becomes the top of the disc) is then applied to cover the aluminum layer, and finally the ink for the labeling.
As with any laminated products, one must wonder how the aging characteristics of each material will interact with, and affect adjacent layers.
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Thus far, vinyl has proven to be the most stable of the materials that have been used in the manufacture of sound recordings. However, although stable, its life is not indefinite. Pickett and Lemcoe, in Preservation and Storage of Sound Recordings, states that "failure by chemical degradation of a vinyl disc in ordinary library environments should not occur in less than a century".
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by Gilles St‑Laurent - Music Division - National Library Of Canada